Humanist Discussion Group, Vol. 37, No. 394.
Department of Digital Humanities, University of Cologne
Hosted by DH-Cologne
www.dhhumanist.org
Submit to: humanist@dhhumanist.org
[1] From: DARIA SPAMPINATO <daria.spampinato@cnr.it>
Subject: [CfP] AIUCD2024: MeTe digital, Catania - Italy, 28-30 May 2024 (77)
[2] From: Mara Oliva <m.oliva@reading.ac.uk>
Subject: CFP: DH-AI conference - University of Reading - 17 June 2024 (86)
[3] From: clarisse bardiot <clarisse.bardiot@univ-rennes2.fr>
Subject: Re: Reimagining Annotation for Multimodal Cultural Heritage Conference - 7 - 9 February 2024 - Rennes (France) (188)
[4] From: Emily Genatowski <emily.genatowski@univie.ac.at>
Subject: Ringvorlesung Introduction to Digital Humanities (19)
--[1]------------------------------------------------------------------------
Date: 2024-01-15 11:44:19+00:00
From: DARIA SPAMPINATO <daria.spampinato@cnr.it>
Subject: [CfP] AIUCD2024: MeTe digital, Catania - Italy, 28-30 May 2024
Dear colleagues,
it is my pleasure to announce the Call for Papers of the AIUCD2024 conference,
to be held from 28 to 30 May 2024 in Catania - Italy, organised by the CNR
Institute of Cognitive Sciences and Technologies and the University of Catania.
This year's theme is MeTe digital: Mediterranean networks between texts and
contexts.
Best regards
Daria Spampinato
*******************************************************************************
CALL FOR PAPERS
The AIUCD 2024 conference is dedicated to the Mediterranean, understood as an
inclusive space for cultural, literary, artistic, philosophical and scientific
exchange. The primary objective is to privilege the role of the digital as both
medium and methodology, through which it is possible to link texts and peoples,
to foster dialogue between diverse cultures, and to generate virtual spaces for
the sharing of texts and artefacts with shared cultural roots. Viewed in this
way, the role of the digital can be conceived both with reference to the idea of
textuality in its broadest sense and to the organisation of knowledge. Space
will be given to theoretical and methodological reflections in digital philology
and computational analysis, the organisation and preservation of digitised and
born-digital collections, the application of Artificial Intelligence methods,
and challenges in digital heritage conservation.
The conference is focused, but not restricted, to the following key themes:
1) Digitised cultures of the Mediterranean
2) Digital archives and editions
3) Computational analysis of texts
4) Ontologies and the Semantic Web
5) Preservation of memory and digital cultural heritage
Participation is possible in the form of an oral presentation (paper) or a
poster.
Contributors must indicate whether their proposal is meant for an oral or a
poster presentation.
All proposals must be between three (3) and five (5) pages in length, including
bibliography.
The official languages of the conference are Italian and English. Proposals must
conform to the template provided and to the instructions given on the
‘information for authors<https://aiucd2024.unict.it/invio-contributi/>’ page.
Conference information: http://www.aiucd2024.unict.it/
Call for Papers: http://www.aiucd2024.unict.it/call-for-papers/
Submission: https://easychair.org/my/conference?conf=aiucd2024
Important dates
Paper Submission: 19 January 2024
Acceptance Notification: 15 March 2024
Camera-ready Submission: 4 April 2024
Conference Dates: 28-30 May 2024
Program Committee
Antonio Di Silvestro (Local Chair), Università di Catania
Daria Spampinato (General Chair), CNR - ISTC
Emmanuela Carbé (ex officio), Università di Siena
Massimo Cultraro, CNR - ISPC
Christian D'Agata, Università di Catania
Greta Franzini, Eurac Research
Maurizio Lana, Università del Piemonte Orientale
Cristina Marras, CNR - ILIESI
Marco Mazzone, Università di Catania
Ouafae Nahli, CNR - ILC
Marianna Nicolosi Asmundo, Università di Catania
Marina Paino, Università di Catania
Giuseppe Palazzolo, Università di Catania
Jonathan Prag, University of Oxford Merton College
Rachele Sprugnoli, Università di Parma
Francesco Stella (ex officio), Università di Siena
Scientific Secretariat
Liborio Barbarino, Denise Bruno, Giulia Cacciatore, Giuseppe Canzoneri, Elisa
Conti, Milena Giuffrida, Miryam Grasso, Francesca Prado, Emilio Sanfilippo,
Alessandro Zammataro
For any information, please send an e-mail to aiucd24@aiucd.it.
--[2]------------------------------------------------------------------------
Date: 2024-01-15 10:02:56+00:00
From: Mara Oliva <m.oliva@reading.ac.uk>
Subject: CFP: DH-AI conference - University of Reading - 17 June 2024
CFP
DIGITAL HUMANITIES & ARTIFICIAL INTELLIGENCE
One-Day Conference at the University of Reading
17 June, 2024
Keynote Speaker:
Dr Barbara McGillivray
(King’s College London)
We invite scholars, researchers, and practitioners to participate in a focused
exploration of the intersections between Digital Humanities (DH) and Artificial
Intelligence (AI) at a one-day conference at the University of Reading.
The conference will feature three distinct strands, each proving a unique
perspective on the evolving landscape of DH-AI:
Strand 1: Cultural Heritage
• Explore the role of artificial intelligence in preserving, interpreting,
and making accessible cultural heritage.
• Discuss innovative projects and technologies that digitise, catalog, and
safeguard cultural artifacts and historical sites.
• Examine the impact of AI on the study and dissemination of cultural
heritage.
Strand 2: Ethics
• Delve into the ethical considerations and challenges posed by the use of
AI in Digital Humanities.
• Discuss issues of bias, representation, and inclusivity in AI-driven
research and projects
• Explore strategies and best practices for ensuring ethical AI
applications in the digital humanities
Strand 3: Synthetic Media
• Investigate the creative potential of AI-generated content, such as art,
music, literature and virtual environments.
• Showcase projects that leverage synthetic media for storytelling,
cultural expression, and education.
• Examine the ethical and cultural implications of AI-generated content in
the Digital Humanities.
We welcome submissions in the following formats:
1) Individual research papers
2) Panel Proposals
Please submit your proposal by 20 January, 2024 following the guidelines below.
The conference will also lay the groundwork for a special edition of Digital
Humanities Quarterly<http://www.digitalhumanities.org/dhq/>. If you are unable
to attend the conference, but want to contribute to the DHQ special edition,
please send your abstract by 30 July, 2024. See guidelines below for further
details.
Guidelines for Submission & Timeline
Please submit your abstract (250 words) including a brief biography (200 words),
affiliation and email address to DH-AI-Conference@reading.ac.uk by 20 January,
2024.
CONFERENCE DATE: Monday 17 June, 2024
Abstract Submission Deadline: 20 January, 2024
Notification of Acceptance: 15 February, 2024
Program and Registration opens: 1 March, 2024
Registration closes: 1 May, 2024
Abstract Submission for DHQ Special Issue: 30 July, 2024
Article Submission Deadline: 1 December 2024
Submission to DHQ: 15 January 2025
This is a free event sponsored by the Digital Humanities
CoP<https://research.reading.ac.uk/digitalhumanities/about/cop/> at the
University of Reading. Places are limited and registration is required.
For any inquiries, please contact the organising committee at
DH-AI-Conference@reading.ac.uk<mailto:DH-AI-Conference@reading.ac.uk>
[...]
--[3]------------------------------------------------------------------------
Date: 2024-01-15 10:00:20+00:00
From: clarisse bardiot <clarisse.bardiot@univ-rennes2.fr>
Subject: Re: Reimagining Annotation for Multimodal Cultural Heritage Conference - 7 - 9 February 2024 - Rennes (France)
Hello
If you have yet to register, this is a gentle reminder that the Reimagining
Annotation for Multimodal Cultural Heritage Conference
registration is extended until January 26.
Best regards
Clarisse Bardiot
> Le 19 déc. 2023 à 12:15, clarisse bardiot <clarisse.bardiot@univ-rennes2.fr> a
écrit :
>
> Hello
>
> Please find below the program for the international conference Reimagining
Annotation for Multimodal Cultural Heritage, which I am co-organising with Jacob
Hart. The conference will take place from 7 to 9 February at the University of
Rennes (France).
>
> The majority of participants will be in person. For logistical reasons, please
register online before January 19 (limited number of places available in
person): https://reimagining-amch.sciencesconf.org/ . It will also be possible
to follow the conference on zoom.
>
> The conference will be preceded by two workshops at the MSHB on SCENE (the new
version of MemoRekall based on IIIF) and on the Distant Viewing Toolkit
developed by Lauren Tilton and Taylor Arnold.
>
> The event will also mark the launch of the ERC STAGE project.
>
> With kind regards
>
> Clarisse Bardiot
>
> /////
> Clarisse Bardiot
> Professeur des universités en études théâtrales
> Département des Arts du spectacle
> Université Rennes 2
>
> Site web http://www.clarissebardiot.info/ <http://www.clarissebardiot.info/>
> Dernière publication Arts de la scène et humanités numériques. Des traces aux
données <https://www.istegroup.com/fr/produit/arts-de-la-scene-et-humanites-
numeriques>
> / Performing Arts and Digital Humanities. From Traces to Data.
<https://www.istegroup.com/fr/produit/arts-de-la-scene-et-humanites-numeriques>
> 2021. Wiley / Iste.
>
>
>
> Wednesday 7th February 2024
>
> 12:30 Welcome
>
> 13:00 - 14:30 Workshop: SCENE
> Clarisse Bardiot, Jacob Hart, Université Rennes 2 (France)
>
> 15:00 - 16:30 Workshop: Distant Viewing Toolkit
> Lauren Tilton, Taylor Arnold, University of Richmond (USA)
>
> 17:00 - 18:30 Opening
> Keynote: Software for Dancers, Scott deLahunta, Coventry University (UK)
>
> Cocktail
>
> Thursday 8th February 2024
>
> 09:00 Welcome
>
> 09:30 - 11:00 Audiovisual Documents Analytics
>
> Advene, a Look Back on 20 Years of Video Annotation Instrumentation,
Olivier Aubert, Nantes Université (France)
>
> Deep Screens and Evocative Surfaces: New Research from The Media Ecology
Project and the DEV Lab at Dartmouth, Mark J. Williams, Dartmouth College
(USA)
>
> Machine Intelligence for Motion Exegesis (MIME): Applying Pose Estimation
and Related Technologies to Analyze Archival Performance Recordings, Michael Rau
and Peter Broadwell, Stanford University (USA)
>
>
> 11:30 - 13:00 The Temporal Dimensions of Distant Viewing
>
> Crossing Borders Archives. The Circulation of Stock Shots in Audiovisual
Media, Matteo Treleani, Université Côte d'Azur (France)
>
> The Structures of Visual Exchanges, Nicola Carboni, Université de Genève
(Switzerland)
>
> Using Multidimensional Vector Embeddings to Study Temporal Dimensions of
Historical Newsreel Data, Mila Oiva, Tallinn University (Estonia)
>
>
> 14:00 - 15:30 Short Papers
>
> AVAnnotate: Creating Scholarly Editions and Exhibits with IIIF and AV
Archives, Tanya Clément, the University of Texas at Austin (USA)
>
> Bipartite Frame Networks in the Analysis of Film: a Case Study Utilizing
Commercial Computer Vision APIS, Nabeel Siddiqui, Susquehanna University (USA)
>
> Visualizing Rhythms Through Digital Annotations : Challenges and Issues in
the Performing Arts, Théo Heugebaert, Université Rennes 2 (France)
>
> The Linked Editing Academic Framework (LEAF) in the Multimodal Annotation
Ecosystem, Diane Jakacki, Bucknell University (USA), Susan Brown, University of
Guelph (Canada), Michael Ilovan, University of Alberta (Canada) and Luciano
Frizzera, Concordia University (Canada)
>
>
> 16:00 - 17:30 IIIF, from Images to Multimodal Corpora Annotations
>
> Overview of the IIIF Initiative for Interoperability of Digital Objects on
the Web (Image, Audio/Video, 3D), Régis Robineau, Biblissima +, Campus Condorcet
(France)
>
> From Source Annotation to Scientific Publishing: the PENSE and PerVisum
Projects, Jean-Christophe Carius, Juliette Hueber, Chloé Pochon and Bulle Tuil
Leonetti, INHA (France)
>
> IIIF, a Standard for Multimodal Corpora? The Building of SCENE, Clarisse
Bardiot and Jacob Hart, Université Rennes 2 (France)
>
>
> 18:00 - 19:00 Keynote: A Multimodal Turn?: Navigating AI Developments
in Digital Humanities. Melvin Wevers, University of Amsterdam (Netherlands)
>
>
> Friday 9th February 2024
>
> 09:00 Welcome
>
> 09:30 - 11:00 Annotations for Contextualization and Narratives
>
> 3D Annotations as Multimodal Storytelling, Øyvind Elde, Kai Michael
Niebes, Nadjim Noori, Vyshantha Simha and Elisabeth Reuhl, University of Cologne
(Germany)
>
> Coding the Encoder: Situating Subjective and Contextual Aspects in High-
Level Image Annotations, Delfina Sol Martinez Pandiana, Università di Bologna
(Italy)
>
> VR & AR Prototypes for Multi-sensory and Haptic Forms of Documentation and
Archiving of Digital Art (LeFo Project), Marie-Claude Poulin, University of
Applied Arts Vienna (Austria)
>
>
> 11:30 - 13:00 Performing Arts Documentation and Analysis
>
> Multimodal Video Annotations as Metadata for Performing Arts
Documentation, Carla Fernandes, NOVA University Lisbon (Portugal)
>
> Do We Truly Need Another Annotation Tool? Motion Bank’s Software
Development as Integral Part of a Digital Approach to Dance Documentation and
Research, David Ritterhaus, Hochschule Mainz: University of Applied Sciences.
(Germany)
>
> Curating Born-Digital Archives at the National Library of France: the Amos
Gitai collection’s Case Study, Rime Touil, Bibliothèque nationale de France
(France)
>
>
> 14:00 - 15:30 Designing Tools and Workflows by and for Researchers
>
> Two Historians' Relationship with Sources in the Digital Age, Luca
Federico Cerra and Sean Takats, Université du Luxembourg (Luxembourg)
>
> AI Toolkits for the Social Sciences and Humanities: A Closer Look at
ModOAP, BaOIA, EyCon, and PictorIA, Julien Schuh, Université Paris Nanterre
(France)
>
> The Linked Infrastructure for Networked Cultural Scholarship (LINCS):
Bridging the Research/Heritage Collection Gap, Susan Brown and Kim Martin,
University of Guelph (Canada)
>
>
> 16:00 - 17:30 Perspectives (round table)
>
> Chair: Michael Sinatra, Université de Montréal (Canada)
>
> Nicolas Larousse, Huma-Num (France)
> Philippe Effantin, Ouest-Valorisation (France
> Arthur Lezer, Le Lab, INA (France)
> Clarisse Bardiot, Université Rennes 2 (France)
> Susan Brown, University of Guelph (Canada)
--[4]------------------------------------------------------------------------
Date: 2024-01-15 09:59:42+00:00
From: Emily Genatowski <emily.genatowski@univie.ac.at>
Subject: Ringvorlesung Introduction to Digital Humanities
Dear all,
The Digital Humanities lecture circuit at the University of Vienna
enters week ten with Hannes Fellner presenting “‘Digital Explorations on
the Ancient Silk Road.”
The lecture will take place at 16:45 on Tuesday the 16th of January in
HS 41 of the main building, and will be followed by a small reception.
All are welcome!
The lecture can also be followed live on U Stream.
We look forward to welcoming you,
Emily Genatowski
Click here for UStream:
https://ustream.univie.ac.at/paella/ui/watch.html?id=cda9ff69-20c5-45f3-bc72-789
6376b7838
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