Humanist Discussion Group, Vol. 36, No. 81. Department of Digital Humanities, University of Cologne Hosted by DH-Cologne www.dhhumanist.org Submit to: humanist@dhhumanist.org [1] From: Stuart James <stuart.james@iit.it> Subject: ECCV 2022 workshop: VISART VI "Where Computer Vision Meets Art" (99) [2] From: Ronak Kosti <ronak.kosti@fau.de> Subject: SUMAC 4th Edition (Deadline: 4 July, 2022) (112) --[1]------------------------------------------------------------------------ Date: 2022-06-27 14:20:40+00:00 From: Stuart James <stuart.james@iit.it> Subject: ECCV 2022 workshop: VISART VI "Where Computer Vision Meets Art" VISART VI "Where Computer Vision Meets Art" https://visarts.eu 6th Workshop on Computer VISion for ART Analysis In conjunction with the 2022 European Conference on Computer Vision (ECCV), Tel-Aviv, Israel IMPORTANT DATES Full & Extended Abstract Paper Submission: 8th July 2022 27th June 2022 Notification of Acceptance: 8th August 2022 Camera-Ready Paper Due: 15th August 2022 Workshop: TBA (23-24th October) CALL FOR PAPERS Following the success of the previous editions of the Workshop on Computer VISion for ART Analysis held in 2012, `14, `16, `18 and 20 we present the VISART VI workshop, in conjunction with the 2022 European Conference on Computer Vision (ECCV 2022). VISART will continue its role as a forum for the presentation, discussion and publication of Computer Vision (CV) techniques for the analysis of art. As with the previous edition, VISART VI offers two tracks: 1. Computer Vision for Art - technical work (standard ECCV submission, 14 pages excluding references) 2. Uses and Reflection of Computer Vision for Art (Extended abstract, 4 pages, excluding references) The recent explosion in the digitisation of artworks highlights the concrete importance of application in the overlap between CV and art; such as the automatic indexing of databases of paintings and drawings, or automatic tools for the analysis of cultural heritage. Such an encounter, however, also opens the door both to a wider computational understanding of the image beyond photo-geometry, and to a deeper critical engagement with how images are mediated, understood or produced by CV techniques in the `Age of Image-Machines' (T. J. Clark). Submissions to our first track should primarily consist of technical papers; our second track, therefore, encourages critical essays or extended abstracts from art historians, artists, cultural historians, media theorists and computer scientists. The purpose of this workshop is to bring together leading researchers in the fields of computer vision and the digital humanities with art and cultural historians and artists, to promote interdisciplinary collaborations, and to expose the hybrid community to cutting-edge techniques and open problems on both sides of this fascinating area of study. This workshop, in conjunction with ECCV 2022, calls for high-quality, previously unpublished, works related to Computer Vision and Cultural History. Submissions for both tracks should conform to the ECCV 2022 proceedings style and will be double-blind peer-reviewed by at least three reviewers. However, extended abstracts will not appear in the conference proceedings. Papers must be submitted online through the CMT submission system at: https://cmt3.research.microsoft.com/VISART2022/ TOPICS include but are not limited to: - Art History and Computer Vision - Image and visual representation in art - Approaches for generative art - 3D reconstruction from visual art or historical sites - 2D and 3D human pose and gesture estimation in art - Multi-modal multimedia systems and human-machine interaction - Multimedia databases and digital libraries for artistic research - Visual Question & Answering (VQA) or Captioning for Art - Interactive 3D media and immersive AR/VR for cultural heritage - Computer Vision and cultural heritage - Big-data analysis of art - Media content analysis and search - Security and legal issues in the digital presentation and distribution of cultural information - Surveillance and Behavior analysis in Galleries, Libraries, Archives and Museums INVITED SPEAKERS - Prof. Béatrice Joyeux-Prunel, University of Geneva - Prof. John Collomosse, Principal Scientist, Adobe Research & Professor of Computer Vision, CVSSP, University of Surrey - Prof. Ohad Ben-Shahar, Ben Gurion University ORGANIZERS: - Alessio Del Bue, Istituto Italiano di Tecnologia (IIT) - Leonardo Impett, University of Cambridge - Peter Bell, Philipps-Universität Marburg - Noa Garcia, IDS, Osaka University - Stuart James, Istituto Italiano di Tecnologia (IIT) & UCL DH -- Dr Stuart James Researcher (Assistant Professor), Visual Geometry and Modelling (VGM) Istituto Italiano di Tecnologia (IIT) Honorary Research Associate, University College London (UCL) Affiliate Team member, UCL Centre for Digital Humanities (UCLDH) Genova, Italy Website: https://stuart-james.com Meet me: http://meetme.stuart-james.com --[2]------------------------------------------------------------------------ Date: 2022-06-27 14:08:50+00:00 From: Ronak Kosti <ronak.kosti@fau.de> Subject: SUMAC 4th Edition (Deadline: 4 July, 2022) Call for Papers SUMAC 2022 The 4th workshop on Structuring and Understanding of Multimedia heritAge Contents 10 or 14 October 2021 (TBA) Lisbon, Portugal (attendance mode TBA) In conjunction with ACM Multimedia 2022 Workshop: https://sumac-workshops.github.io/2022/ Conference: https://2022.acmmm.org Submission Portal: https://easychair.org/conferences/?conf=sumac2022 Deadline: July 4, 2022 (11:59 p.m. AoE) Aims and scope The digitisation of large quantities of analogue data and the massive production of born-digital documents for many years now provide us with large volumes of varied multimedia data (images, maps, text, video, 3D objects, multi-sensor data, etc.), an important feature of which is that they are cross-domain. “Cross-domain” reflects the fact that these data may have been acquired in very different conditions: different acquisition systems, times and points of view (e.g. a 1962 postcard from the Arc de Triomphe vs. a recent street-view acquisition by mobile mapping of the same monument). These data represent an extremely rich heritage that can be exploited in a wide variety of fields, from Social Sciences and Humanities to land use and territorial policies, including smart city, urban planning, smart tourism and culture, creative media and entertainment. In terms of research in computer science and artificial intelligence, they address challenging problems related to the diversity, specificity and volume of the media, the variety of content descriptors (potentially including the time dimension), the veracity of the data, and the different user needs with respect to engaging with this rich material and the extraction of value out of the data. These challenges are reflected in various research topics such as multimodal and mixed media search, automatic content analysis, multimedia linking and recommendation, and big data analysis and visualisation where scientific bottlenecks may be exacerbated by the time dimension – which also provides topics of interest such as multimodal time series analysis. The objective of this workshop is to present and discuss the latest and most significant trends in the analysis, structuring and understanding of multimedia contents dedicated to the valorization of heritage, with the emphasis on enabling access to the big data of the past. We welcome research contributions for the following (but not limited to) topics: - Multimedia and cross-domain data search, interlinking and recommendation• Dating and spatialization of historical data - Mixed media data access and indexing - Multi-modal deep learning - Deep learning in adverse conditions (transfer learning, learning with side information, etc.) - Multi-modal time series analysis, evolution modelling - Multi-modal & multi-temporal data rendering - Heritage - Building Information Modelling, Art Virtualisation - HCI / Interfaces for large-scale datasets - Smart digitisation of massive quantities of data - Bench-marking, Open Data Movement - Generative modelling of cultural heritage Keynote Speakers - Prof. Dr.-Ing. habil. Andreas Maier Talk Theme: "Book CT (Computed Tomography) and Time Machine Projects ( https://www.timemachine.eu/)" - Prof. Georgios Artopoulos Talk Theme: "Creating a Time Machine of future pasts: data integration and interoperability for cross-disciplinary research on urban heritage clusters." Important dates - Paper submission: July 4, 2022 (11:59 p.m. AoE) - Author acceptance notification: July 22, 2022 - Camera-Ready: August 7, 2022 - Workshop date: TBA, either 10 or 14 October 2022 Submission guidelines Submission format. All submissions must be original work not under review at any other workshop, conference, or journal. The workshop will accept papers describing completed work as well as work in progress. One submission format is accepted: full paper, which must follow the formatting guidelines of the main conference ACM MM 2022. Full papers should be from 6 to 8 pages (plus 2 additional pages for the references), encoded as PDF and using the ACM Article Template. For paper guidelines, please visit https://2022.acmmm.org/call-for-papers/, and refer to the "Paper Format" under "Submission Instructions". Peer Review and publication in ACM Digital Library. Paper submissions must conform with the “double-blind” review policy. All papers will be peer-reviewed by experts in the field, they will receive at least two reviews. Acceptance will be based on relevance to the workshop, scientific novelty, and technical quality. Depending on the number, maturity and topics of the accepted submissions, the work will be presented via oral or poster sessions. The workshop papers will be published in the ACM Digital Library. Organizers Valerie Gouet-Brunet (LaSTIG Lab / IGN - Gustave Eiffel University, France) Ronak Kosti (Germanistik und Kunstwissenschaften Fachbereichs / Philipps-Universität Marburg, Germany) Li Weng (Hangzhou Dianzi University Regards, Ronak Kosti, Post Doc Researcher, Germanistik und Kunstwissenschaften Fachbereichs / Philipps-Universität Marburg, Germany Email: ronak.kosti@fau.de Web: https://lme.tf.fau.de/person/kosti _______________________________________________ Unsubscribe at: http://dhhumanist.org/Restricted List posts to: humanist@dhhumanist.org List info and archives at at: http://dhhumanist.org Listmember interface at: http://dhhumanist.org/Restricted/ Subscribe at: http://dhhumanist.org/membership_form.php