Humanist Discussion Group, Vol. 36, No. 72. Department of Digital Humanities, University of Cologne Hosted by DH-Cologne www.dhhumanist.org Submit to: humanist@dhhumanist.org Date: 2022-06-18 06:43:10+00:00 From: Willard McCarty <willard.mccarty@mccarty.org.uk> Subject: new book on evolution and consciousness Allow me to recommend an extraordinary new book, Simona Ginsburg and Eva Jablonka, Picturing the Mind: Consciousness through the lens of evolution (MIT Press, 2022), with illustrations by Anna Zeligowski. As far as computing is concerned, the attraction will begin with the sections at the end on 'conscious robots' and 'virtual and cyborg realities', but what makes these unusual and especially meaningful is their place in the context of the evolutionary biology of consciousness. But then the juxtaposition of each short section of the book (mostly one to two pages) to a resonant illustration irresistibly invites imaginative exploration. Is not the subject of consciousness like that? But the authors' words are better than mine could be, so I quote their Preface below. As an old professor used to say to me after recommending a book, "Read it tonight!" Yours, WM ----- PREFACE Being alive yet unable to experience-unable to feel, move, smell, see, hear, taste, or touch, like people in a deep coma-seems to most of us a life not worth living. It makes us acutely aware that our cherished and intimate capacity for subjective experiencing, which is also referred to as consciousness or sentience (we use these terms interchangeably), cannot be taken for granted. What is it that makes an entity, a living body, conscious? What happens when the state of mind we call consciousness is lost? Philosophers call the puzzling relation between the mind and the body the mind-body problem. Once the brain was found to be essential for conscious activity, the mind-body problem was reframed in terms of the relation between the brain and the mind. Here is the vivid way that T. H. Huxley expressed the difficulty of understanding this relation in 1866: How it is that anything so remarkable as a state of consciousness comes about as the result of irritating nervous tissue, is just as unaccountable as the appearance of the Djin when Aladdin rubbed his lamp. We use evolutionary biology as our Ariadne's thread to lead us through the maze that is the mind-body problem. Evolutionary biology leads us to the questions that run through the book: Which entities are conscious? How did consciousness evolve? Which varieties of consciousness do we recognize? Is human consciousness special, and if it is, in what ways? Can we envisage alien or artificial forms of consciousness? We present some of the views of writers, poets, philosophers, psychologists, and biologists, but since their ideas breed even more questions, the book is focused more on questions than on answers. We use visual and verbal images as well as explanatory texts to present these questions and some tentative answers. The richness and inherent ambiguity of images and metaphors allow a wide scope for imagination and interpretation. They are vistas through which we look at the many aspects of consciousness. Each page of text, which presents a specific topic, faces a picture, a visual metaphor that engages with the text and with the reader's imagination, and opens up additional perspectives. Every topic is both autonomous and integrated with the preceding and subsequent text, so the book can be read either "in bits" or as a continuous picture-text. Sources for quotations and further reading about each topic are presented in notes at the end of the book. The book has five parts, or vistas, each discussing twelve to sixteen topics. The first vista introduces some of the ways in which people have imagined consciousness and conceived of the nature of the mind. We start with metaphors that capture aspects of consciousness, go on to describe general approaches such as dualism and physicalism, and end with puzzles and thought experiments that illuminate its seemingly paradoxical nature. Our own naturalistic evolutionary approach focuses on living organisms. In the second vista we ask: Are all living beings, including bacteria, conscious? Are plants conscious? Are only humans conscious? We leave these questions open, but in the third vista we present an evolutionary approach that provides a way of addressing them, an approach focusing on the transition from nonconscious to conscious animals. In this vista we suggest that the evolution of consciousness was entailed by the evolution of an open-ended form of learning that can be found in some brainy animals. Some of the texts that develop this suggestion may be difficult for nonbiologists, but they can be safely skipped without losing track of the overall message. Human consciousnessits uniqueness, origins, and wondrous and monstrous consequences-is described in the fourth vista, while the fifth vista presents some of the varieties of human consciousness that allow us to go beyond the boundaries of the familiar and explore new forms of future and alien consciousness through visions and fantasies. The book is intended for all people who are fascinated by consciousness, from curious high school students to retired professors. We hope that the combination of art, philosophy, and science will engage people's imagination and reveal the many ways of exploring the landscapes of the mind. -- Willard McCarty, Professor emeritus, King's College London; Editor, Interdisciplinary Science Reviews; Humanist www.mccarty.org.uk _______________________________________________ Unsubscribe at: http://dhhumanist.org/Restricted List posts to: humanist@dhhumanist.org List info and archives at at: http://dhhumanist.org Listmember interface at: http://dhhumanist.org/Restricted/ Subscribe at: http://dhhumanist.org/membership_form.php