Humanist Discussion Group, Vol. 21, No. 513.
Centre for Computing in the Humanities, King's College London
www.kcl.ac.uk/schools/humanities/cch/research/publications/humanist.html
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[1] From: "Matt Kirschenbaum" <mkirschenbaum_at_gmail.com> (13)
Subject: historical modelling
[2] From: John Lavagnino <John.Lavagnino_at_kcl.ac.uk> (15)
Subject: Graphs as a computational tool
[3] From: <joeraben_at_cox.net> (46)
Subject: Re: 21.511 musical and historical virtualities?
--[1]------------------------------------------------------------------
Date: Fri, 01 Feb 2008 06:46:49 +0000
From: "Matt Kirschenbaum" <mkirschenbaum_at_gmail.com>
Subject: historical modelling
Willard,
Again, I refer you to Phil Sabin. He has a new book out that posits a
system for reconstructing ancient battles. Best, Matt
-- Matthew Kirschenbaum Associate Professor of English Associate Director, Maryland Institute for Technology in the Humanities (MITH) University of Maryland 301-405-8505 or 301-314-7111 (fax) http://www.mith.umd.edu/ http://www.otal.umd.edu/~mgk/ http://mechanisms-book.blogspot.com/ --[2]------------------------------------------------------------------ Date: Fri, 01 Feb 2008 06:48:03 +0000 From: John Lavagnino <John.Lavagnino_at_kcl.ac.uk> Subject: Graphs as a computational tool Hi, Willard--- fine discussion by Brian Hayes, with a pointer to the literature: http://bit-player.org/2008/computing-graphics John -- Dr John Lavagnino Senior Lecturer in Humanities Computing Centre for Computing in the Humanities, King's College London 26=AD29 Drury Lane London WC2B 5RL +44 20 7848 2453 www.lavagnino.org.uk General Editor, The Oxford Middleton http://www.oup.com/uk/catalogue/?ci=3D9780198185697 http://www.oup.com/uk/catalogue/?ci=3D9780198185703 --[3]------------------------------------------------------------------ Date: Fri, 01 Feb 2008 06:48:39 +0000 From: <joeraben_at_cox.net> Subject: Re: 21.511 musical and historical virtualities? Willard, Are you acquainted with RILA (Repertoire internationale de la litterature musical)? It has several decades of abstracts of musicological studies around the world and may very well contain some stuff useful to you. Check them out at rilm.org. Joe ----- Original Message ----- From: "Humanist Discussion Group (by way of Willard McCarty <willard.mccarty_at_kcl.ac.uk>)" <willard_at_LISTS.VILLAGE.VIRGINIA.EDU> To: <humanist_at_Princeton.EDU> Sent: Thursday, January 31, 2008 3:27 AM > Humanist Discussion Group, Vol. 21, No. 511. > Centre for Computing in the Humanities, King's College London > www.kcl.ac.uk/schools/humanities/cch/research/publications/humanist.html > www.princeton.edu/humanist/ > Submit to: humanist_at_princeton.edu > > > > Date: Thu, 31 Jan 2008 08:22:31 +0000 > From: Willard McCarty <willard.mccarty_at_kcl.ac.uk> > Subject: musical and historical virtualities? > >I would be very grateful to know of any musicological scholarship >that has stepped beyond "music information retrieval" to attempt >modelling the musical imagination -- interpretational, improvisational >or otherwise. I know of the writings of Margaret Boden and Philip >Johnson-Laird on this subject but would appreciate more. > >I would also be grateful for anything of a similar kind in >historiography, i.e. concerned with the reconstruction (i.e. >modelling) of what presumably was or modelling of what might have been. > >That this sort of thing happens is clear, and people do make claims >to that effect. I am looking for critical discussions which actually >examine the process, look for its stress-points etc. > >Many thanks. > >Yours, >WM > >Willard McCarty | Professor of Humanities Computing | Centre for >Computing in the Humanities | King's College London | >http://staff.cch.kcl.ac.uk/~wmccarty/. Et sic in infinitum (Fludd >1617, p. 26).Received on Fri Feb 01 2008 - 02:10:41 EST
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